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SPANIEN

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ca. 2,5 time
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Rejser til Spanien

Spanien - kontrasternes land...
Fra vandreferie i Pyrenæernes snedækkede toppe eller på pilgrimsruten Santiago de Compostela i Nordspanien til Sierre Nevadas glødende ørkenlandskab i Sydspanien. Fra De Baleariske Øer med Mallorca, Menorca og Ibiza i øst til ferie på De Kanariske Øer i vest. Spanien er stort på mere end én måde.
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Hektisk storbyferie i Madrid, Barcelona eller Sevilla - for blot at nævne et par - byder på et væld af arkitektoniske perler og attraktioner. Og ind i mellem findes små landsbyer, hvor specielt en ferie i Andalusien ofte byder på kridhvide landsbyer af maurisk oprindelse spredt i et bølgende landskab. Det historiske Spanien er uudtømmeligt fra stenalderens hulemalerier over middelalderens forfinede kunstværker til Picasso i Malaga og modernismen.
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Sagrada Familia
The Sagrada Familia is the world wide symbol of Barcelona. The monumental church El Temple Expiatori de la Sagrada Família (Expiatory Temple of the Sacred Family) is Gaudi's most famous work and the finest example of his visionary genius. The architect undertook the task in 1883. Gaudi dedicated his life to carrying out this ambitious undertaking which due to his sudden death was left unfinished.
Gaudi became obsessed with the church to the point that not only did he focus all of his creative energies into it, but he set up residence in his on-site study as well. On June 7, 1926, Gaudi was hit by a street car while crossing the Gran Vía at Barcelona. Three days later not having regained consciousness, Gaudi died at the age of 74.
 Today, the constructed part is open to visitors as well as the small Museu del Temple Expiatori de la Sagrada Família with scale models and drawings showing the construction process.
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MACBA
Combining straight lines and curves in a continuous dialogue between the interior spaces and the light outside, the building, inaugurated in 1995, is a work by Richard Meier. It's about what is more interesting in this museum.
MACBA is dedicated to works from the second half of the 20th century. There are few works in the permanent collection and once in a while interesting temporary exhibitions.
In1959 the art critic Alexandre Cirici Pellicer believed in the need to create a Museum of Contemporary Art in Barcelona.
In February 1963, the opening of the exhibition El arte y la paz, with a clear political commitment exposed the narrow limits of what was then permissible.
 
In 1986 Barcelona City Council, invited the North American architect Richard Meier to take charge of the project for the new museum. The MACBA was officially inaugurated on the 28th of November of 1995.
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Market of la Boqueria
A visit to the Market of la Boqueria in Barcelona is advisable to enjoy an incredible contrast between colours and activity, ideal to discover why Mediterranean cuisine is internationally known due to its ingredients.
The best products from Catalonia in one place: fruit, vegetables, fish and seafood, tapas bars like El Quim and others... Just Perfect!!
 
The first mention of the Boqueria market of Barcelona dates from 1217, when tables were installed near the old door of the city to sell meat. At the beginning, the market was regarded as a simple extension of the market of Plaça Nova which then extended to the Plaça del Pi. Later, the authorities decided to construct a separate market on La Rambla. Construction began March 19, 1840. The market officially opened the same year, but the plans for the building were modified many times. The official inauguration of the structure was finally made in 1853. In 1911, the new fish market was opened and, in 1914, the metal roof that still exists today was constructed.
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Park Güell
Gaudi's patron, Eusebi Güell, planned a suburban "city." His property was high above Barcelona, northwest and some distance from the city. More than 60 housing plots were allocated although only two homes were built on the property. The project was radical for its time and, as a real estate project, was a failure. The Barcelona City Council bought the property in 1922 and in the following year converted it to a municipal park.
Gaudí avoided levelling the grounds so that the Parc Güell has a network of twisting roads which follow the contours of the land.
 
The lowest point is the entrance, from which a double staircase leads to the hypostyle chamber, the ceiling of which serves as the floor of the huge public square.
Outlying areas have imaginative viaducts and colonnades, which in their design evoke natural forms.

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